In the summer of 1989, Gary Smith, Mary Adams-Smith, Pat Lemay, D.D. Delaney, Jala Magik, and Erma Stauffer each deposited $5 into a bank account, forming an “Executive Artistic Ensemble,” or EAE, with an opening balance of $30. In terms of geography and experience, these six came from different places. As an EAE, they were one group of intuitive artists venturing by consensus into the unfamiliar rationality of the non-profit world, at once steadied and challenged by the shared artistic achievement of their mission and the new roles that each of them took on: marketer, box office clerk, by-laws author, accountant, technical director, stage manager.
Recognized as a local institution in permanent renaissance, Theater of the Seventh Sister still draws Lancaster audiences away from the comfort zone of mere entertainment and toward the big questions. The road less traveled has not always lent itself to predictability or permanency—as evidenced by TSS’s transitory history—but it guarantees the discovery of new perspectives that transcend spatial limits. TSS founders Gary Smith and Mary Adams-Smith know this as they continue to serve on the board from their new home in Vermont, while incoming artistic director Cynthia Charles leads a wholly new, yet similarly diverse, Executive Artistic Ensemble.
Ever since she earned her Bachelor of Fine Arts degree from West Virginia University, Cynthia Charles has maintained a reputation as one of the most respected performers in Lancaster County, taking on demanding roles in productions at the Fulton, Ephrata Performing Arts Center, Rainbow Comedy Playhouse, Creative Works of Lancaster and Theater of the Seventh Sister. In Kristin Wolanin, Barry Fritz, Brian McCreary, and Jeremiah Miller, Charles has pieced together an Executive Artistic Ensemble whose unity of purpose has no parallel in the region and that stays true to Seventh Sister’s founding vision. Like the original EAE, this one too is rich in diversity of perspective and of experience.
Kristin Wolanin has been a professional actor, director and theatre arts teacher for more than 15 years. She is a graduate of DeSales University and earned her MFA in theatre performance from Southern Methodist University in Dallas, Texas. She has performed at numerous regional theatres as well as in voiceovers, commercials and industrial films. Wolanin spent a decade teaching in Orlando, Florida and now heads the theatre department at Lancaster Country Day School.
Barry Fritz holds a BFA in theatre from Indiana University of Pennsylvania. He has been a technical director, teacher, scenic and lighting designer, and stagehand. His work has adorned the stages of Elizabethtown College, Actors Company of Pennsylvania, Ephrata Playhouse, and the Fulton. He has served as the scenic and lighting designer on sixteen productions at TSS—most recently, A Christmas Carol—and for half-a-dozen of the most celebrated operas, including last year’s Hansel & Gretel at Opera Lancaster.
Jeremiah Miller grew up on the Lancaster stage, appearing at the Fulton, Ephrata Performing Arts Center, and Theater of the Seventh Sister. He lived in New York City for a decade, during which time he played major roles at such venues as Lincoln Center and Playwrights Horizons, and on such television shows as Law & Order. Upon earning a Communications degree, he returned to Lancaster where he works as the Coordinator of Alumni Affairs at J.P. McCaskey High School, his alma mater.
Brian McCreary graduated first in his class at Temple University School of Communication & Theater. He served as Assistant Stage Manager for the new musical Four Little Pages, in conjunction with the National Park Service and Franklin Roberts Productions. Brian has been active in the professional and community theater of his native Lancaster County for many years, working at the Dutch Apple, EPAC, Sight & Sound, and Theater of the Seventh Sister.
The Barbara Barden Dance Series will launch TSS’s 26th season on Saturday, November 21 at 7:30 pm and on Sunday, November 22 at 2:30 pm in the Steinman Theater at the Lancaster Country Day School. The main stage productions chosen by the EAE will include Frank McCourt’s The Irish and How They Got That Way. The Irish and How They Got That Way will open in March with a venue yet to be determined. TSS’s Sister Arts Series includes the Barbara Barden Dance Series in November, a staged reading of John Resheter’s The Patriarch in February, and in April, Spoken Word Play 14 co-directed by Marie Winger and Daina Savage and My Electric Life written by Paul Hood and directed by Nelly Torres.
The 2015-2016 season will be known as “Three-Quarters Irish,” reflecting the heritage of EAE members, as well as the season’s ratio of influence. Regardless of setting, Theater of the Seventh Sister still understands that there are only a couple of basic stories. They culminate in defeat or triumph, but the prerequisite struggle is what makes them worthy. No less than the founders, Cynthia, Barry, Kristin, Jeremiah, and Brian shirk the comfort zone and commit their gaze in a new direction. The season is “Three-Quarters Irish”, and like Gary, Mary, Pat, D.D., Jala and Erma before them, each member of the new Executive Artistic Ensemble is %100 in.
It is with great sadness that we acknowledge the passing of Barbara Barden. Barbara was a truly terrific and gifted lady. Our hearts and condolences go out to her family and friends.
It is with profound gratitude that we recognize the incredible talent, dedication to the arts (dance in particular) and vitality that Barbara brought to not only Theater of the Seventh Sister but also our greater community. Barbara had acted, choreographed and directed for Seventh Sister and she was the inspirational founding leader for our Annual Winter Dance Festival.
We are sad for her passing, grateful for her life and thankful for sharing her many talents. We are touched and honored that her family requested that memorial contributions in Barbara’s memory be made to The Theater of the Seventh Sister, P.O. Box 276, Lancaster, PA 17608.
If you would like to make a secure online donation please click the “Donate” button below.
While Barbara is no longer dancing here among us, nevertheless her dance goes on forever in those she touched!
Scrooge and the Scroogettes collect food the the Food Bank.
Thanks to the generosity of our audience members we were able to fill an entire Central PA Food Bank barrel with two large boxes “on the side”!
Our Executive Director Cynthia Charles(pictured) and her husband John, delivered all of the non-perishables to the Lancaster County pick up point.
Seventh Sister takes our Mission very seriously! It’s not only what we put on stage, but how it impacts our community as well.
Pictures from our last production!
We hope you enjoy these wonderful photos
from our fabulous production of
A Christmas Carol!
(courtesy of Ryan Miller)
Uh Oh!Scrooge hears Marely’s chains coming up the stairs!
It’s Pattern Is strange to you?
Our talented cast!
•• OUR 26th YEAR ••
THANK YOU TO THE FOLLOWING GENEROUS DONORS
WHO GAVE TO OUR 2014-2015 FALL APPEAL:
Sandra Asher, Ray & Nancy Bradley, Vincent Bresch, Cynthia Charles & John Eder, Dana Edsall & Sherry Getz, Paula & Gary Egolf, James & Elaine Gibbell,Rita & George Giffen, Arlene Huss, Paul & Mary Jean Irion, Janet Johnstone, John & Carol Kearney, Lancaster Salvage Company, Ruth Ann Kulp, Sandra Leyh, Daniel & Kathryn Lingle,James Martin, Michael & Beth Novak, Pennsylvania Council on the Arts, Cindy & Mark Pontius, Charles & Lourene Reynolds, Sam & Laura Slaymaker, Deborah & Robert Smith, Robert & Kathy Stanley, Linde Stern, John & Janet Strube, Patricia Sullivan,James & Judy Thomas, Nancy Todd, Ken & Sharon Trani, Bruce Walton, Barbara Wank, James Watson, Douglas Weidman, Janna Weil, Soren & Marian West, Holly Williams, Marie & Tim Winger and Ruth Witman.
If you have given to the 2014-2015 Fall Appeal and your name does not appear on this list, or, if your listing is incorrect, we apologize! Please send us an email so that we can make the correction.
Seventh Sister strives to serve our community! However we, as a not-for-profit professional theater need our community’s help as well. If you would like to make a donation, it is not too late to do so, just click the “Donate” button to the right.
Thank you for your help!
•• OUR 26th YEAR ••
DO mark your calendars for our
Spoken Word Play 13:
April 11th & 12th!
Stay tuned for more details!
•• OUR 26th YEAR ••
Welcome to our newest member of our Board of Directors
Our Board welcomes two new members,
Nancy Bradley, Assistant to the Director of Rock Ford Plantation, and
Kristin Wolanin, Theater Director for The Lancaster Country Day School!
We look forward to working with these talented and committed ladies!
The Board will be participating in a mini-retreat on Sunday, February 8th at Rock Ford Plantation to begin plans for next season and to answer all the hard questions!
Plans are underway to implement student and family programming as part of our Sister Arts Series.
Much to Mr. Scrooge’s dismay(Bah Humbug) Theater of the Seventh Sister continues the
Pay What You Are Able Christmas Carol Tradition
Directed by Dan Deal
and Starring Gary Smith as Ebenezer Scrooge
Fridays and Saturdays Dec. 12, 13, 19, 20 & 27 At 7:30 PM
Sundays- Dec. 14, 21 & 28 at 2:30 PM
Special Saturday Family Matinee Dec. 27 at 2:30 PM
On stage at Lancaster Country Day School
click the ticket image to the right to make reservations!
•• OUR 26th YEAR ••
••A Message from Brian McCreary ••
Member, Board of Directors
The Fourth in a Series of Board Communications .
You have seen Brian as Antonio in Merchant of Venice, The Creature in Frankenstein the Musical, Bill Bishop in Billy Bishop Goes To War and Brutus in our recent production of Julius Caesar at Rock Ford.
What does it mean for Seventh Sister “to be” (or “not to be”, for that matter) working on “connecting communities”, as one of our Core Values statement reads? As a Board, we are continually wrestling with this Hamlet-esque quandary, if only in context of operating TSS rather than that of the tormented, young prince of Denmark.
Again and again, our discussions return to the idea that we want to bring to life stories that might create, inspire, promote or invigorate conversation and cooperation across cultural, economic, and socio-political boundaries. We eagerly discuss staging classic works that remind us of what we have in common with “the others” in our vicinity, and challenge ourselves with stories that speak to the truth of our current experiences.
It is not unusual; for the term “community” to be invoked in a business vision statement or solicitations for funding of any endeavor. So what are we suggesting that is different about our plea? The answer lies well beyond the cash value of any ticket purchase!
Yes, “community” is served in the production of theater arts, as well as in all aspects planning, designing, building, promoting, and running any stage event. But our goal is not only that the local community might fill seats, but that all of us might also forge deeper connections, intentionally continue the conversations, and build partnerships that we might extend the reach and impact of any production beyond the event or the stage space alone.
Is it to be, or not to be? Join us, and see!
•• OUR 26th YEAR ••
OUR NEW EXECUTIVE DIRECTOR, CYNTHIA CHARLES, ANNOUNCES OUR 26TH SEASON!
In this, our 26th season, we have a lot of exciting news to share with you! I am pleased and honored to serve as the new Executive Director of Theater of the Seventh Sister, in addition to serving as the Vice President of the Board! For many years I acted for Theater of the Seventh Sister both in the main stage productions and with the Shakespeare Face to Face Program, most recently as Marc Antony and Portia in Julius Caesar. I worked as the Office Manager, and the Education and Marketing Director for five years as well.
Gary Smith and Mary Adams-Smith may have resigned as Co-Artistic Directors of the theater, but they continue to be active on the Board and, they were both involved with Theater of the Seventh Sister’s production of Julius Caesar at the Historic Rock Ford Plantation in September – Gary as Director and Mary as “Cassius” and “Calpurnia”.
Team TSS (an artistic ensemble of people who care about the future of TSS) and I, will be focusing on continuity and innovation in this, our 26th season. Our Team TSS idea, with an Executive Director at the helm, is an innovation, along with developing new community collaborations – this year with the Historic Preservation Trust – for example. (We provided actor/docents for the new Historic Walk & Talk Tour on October 18th in downtown Lancaster.) A contemporary play AlmostMaine will be presented as a main stage offering in 2015 and we plan to add more Sister Arts events as well. Like us on face book, and look for more details there, in our e-newsletters, or on the home page of our web site.
We continued our community collaboration with Rock Ford and our commitment to doing Shakespearean works with our first production of Julius Caesar, September 18 & 19 & 26.
We are bringing back Gary Smith’s adaptation of, Dickens’s classic story, A Christmas Carol on December 12, 13, 14, 19, 20, 21, 27 & 28 at The Lancaster Country Day School Theater, 725 Hamilton Road, Lancaster, PA 17603.
Gary will star as Ebenezer Scrooge, and Mary Adams-Smith will be featured in this beloved production, directed by Dan Deal.
For reservations click on the Order Tickets icon or call 717-396-7764. Evening performances are 7:30 pm Matinee performances are 2:30 pm. It is once again a “Pay What You Are Able” admission.
Our Spoken Word Play 13 “Luck” will continue with performances in April, poetry month.
To help us during this exciting transition we need your support! If you send us a check, 100% of your gift will go to the theater. If a credit card is an easier option for you, please use the secure PayPal links included in this eblast!
We are not able to participate in the Extra Give Event this year. One of the requirements to participate would have cost us three times more than what we (gratefully) received last year in Extra Give Donations. It didn’t seem fiscally responsible to take part.
We ask you to please consider giving a generous gift of any amount, which will help us bring you the type of programming you’ve come to love from TSS!
What if George Washington had been more like Julius Caesar?
Shakespeare on the Lawn at Historic Rock Ford Plantation
It was a time when many people wanted George Washington to be King.
What if Washington were more like Caesar?
They both were charismatic and successful generals!
They both were men bred in upper-class society!
They both had many supporters who wanted them to rule!
They both had active political ambitions and lives!
What would America be like if Washington were more like Caesar?
What would America be like today if Washington had been more like Julius Caesar and less like the Founding Father we know.
Theater of the Seventh Sister takes a fascinating and ironically contemporary look at Shakespeare’s “Julius Caesar” by placing it in post colonial America. Using Shakespeare’s language and story we explore a … what if … a theatrical alternative history
Thursday, September 18 & Friday, September 19,
Thursday, September 25 & Friday, September 26
7:00 PM $10.00 Admission on the day of the show – Children 12 and under free
call Rock Ford for additional information
Guests should bring chairs or blankets for seating on the lawn. Guests are permitted to bring snacks and non-alcoholic beverages to enjoy during the performance.
•• OUR 26th YEAR ••
A Message from Cynthia Charles Vice President of our Board of Directors. This is the third in a Series of Communications from members of our Board of Directors
What is theatre?
Is it a fancy building, is it glitzy special effects or a set that dazzles, is it a certain director or producer, is it dinner and drinks with a show? Well it can certainly be these things, but at its essence theatre is a coming together of people for a shared experience of some universal truths that we all recognize be it in verse, contemporary speech, song, dance or pantomime. But at its heart, meaningful theater is truth under imaginary circumstances that can transport us, make us think, make us laugh or make us cry.
Theater of the Seventh Sister now beginning its 26th year, has shown us both the power and simplicity of theatre that makes a difference through our Main Stage Series, Free Shakespeare in Long’s Park, The African Grove Project, Portales: Gateway to Latino Drama, The Spoken Word Festival, Shakespeare Camp for Teens and Shakespeare Face to Face. TSS has been a true theater gypsy performing at Trinity Lutheran Church in Fondersmith Auditorium, The Rafters at Millersville University, Liberty Place, The Stahr Center, The Ware Center, Linden Hall, and Rockford Plantation and venues and schools in the tri-state area.
So TSS isn’t a building or a set season, is it Gary and Mary? Initially it was a group of seven individuals with a general membership of about 30 members. If Gary and Mary move on or step back could Theater of the Seventh Sister continue in Lancaster County? I’d like to think that she could.
How should TSS continue? Would you support her with your presence, your money or your talents?
Our Board is working to transition the theater into its newest incarnation. We would welcome your ideas and suggestions!
We hope to see you at the beautiful Rockford Plantation for Seventh Sister’s production of
Julius Caesar by William Shakespeare on September 18, 19, 25 and 26 at 7:00 pm, mark your calendars!
“Until you came in I understood nothing about the play. Watching you it was impossible not to understand” … student response to Shakespeare Face-to-Face
Our Shakespeare Face-to-Faceprogram reaches middle school through adult students in traditional, non-traditional, church, therapeutic, residential and non-residential settings.
“It was a joy to see my students excited about Shakespeare. The characters jumped off the pages of their books and entered into their minds as real people”… teacher’s response to Shakespeare Face-to-Face
“I’d even pay money for this”… student’s response to Shakespeare Face-to-Face
•• OUR 26th YEAR ••
• A Message from Bob Marquet, President of our Board of Directors. The First in a Series of Board Communications
Dear Friends of Seventh Sister,
A few of you have expressed a concern that the closing of the STAHR Center would limit the Theater’s opportunities. In direct contrast, we are pleased to report that it has opened new avenues of expression and generated a recommitment to the kind of work that has made Seventh Sister a vibrant voice in the Lancaster arts community for twenty-five years. It has also inspired deeper thoughts about the Theater’s purpose, structure, and direction.
To expedite this process we’ve more than doubled the size of our Board, and, in January, held a two-day weekend workshop led by John Moore and Imani Drayton-Hill of JOMA Arts & Consulting (a nationally recognized art’s consulting firm). This exciting work was made possible with the support from a grant from the PA Council on the Arts, and focused on identifying Seventh Sister’s core values and vision for the future.
From that workshop and follow-up meetings seven core values were identified as befitting the Theater. They are:
excellence, thought provoking, connecting communities, artistic integrity, creative courage, illumination and authenticity.
We see all of you as valuable community members and are requesting your thoughts and ideas concerning these seven values.
We will continue working with JOMA toward a strategic plan for achieving our vision. Theater of the Seventh Sister will keep you informed of our ever evolving and changing 25th year transition into a more collaborative, community based, and dynamically structured organization.
Sincerely, Bob Marquet, President
••• 25 reasons to love your Sister •••
Reason #1: Agnes of God
Our first show ever set the bar high. Headline read “Theater of the Seventh Sister has first triumph with Agnes” Intelligencer Journal October, 1989, by John Drybred. Pictured founding members: Erma Stauffer, Pat Lemay and Mary Adams-Smith
Reason #2: Outdoor Shakespeare
From free Shakespeare in Long’s Park to Rock Ford Plantation, Seventh Sister has brought the joys of Shakespeare under the stars (and moon) to over 140,000 people in the Lancaster area.
Reason #3: Great Plays
The Loman family 2005 production of “Death of a Salesman”Always searching for the best in classic theater and the next great play! Pictured: Mary Adams-Smith, Jared Price, Brian Bitner & Gary Smith
Reason #4: We Love Shakespeare
Our 2004 production of Romeo and Juliet starring Tim Riggs as Romeo, Cynthia Charles as the Nurse and Melissa Dunphy as Juliet
Reason #5: We Love Shakespeare… A Lot!
Since our first Shakespeare production in 1993 we have presented 28 productions of Shakespeare’s plays, and that isn’t even counting our wonderful Shakespeare Camp for Teens productions (more on that later!)
The lover’s quarrel from 1996 production at Long’s Park of “Midsummer Night’s Dream”
Reason #6: Minority Voices of the American Stage
In 1996 we introduced our African Grove Project as part of the Minority Voices of the American Stage Series, a program dedicated to bringing the wealth of outstanding plays written by African American playwrights. Ron Lee Jones and Toni Barber from August Wilson’s “Joe Turner’s Come and Gone. ”
Reason#7: We take on the hard stuff
Whether its a stylistic challenge or plays that deal with important social issues we meet the challenge! The Joad family heads to California in Seventh Sister’s 2012 production of “The Grapes of Wrath.”
Reason #8: Great Roles!
Hamlet! Oedipus! Willie Loman! Medea! Sojourner Truth! Juliet! Martin Luther King! Just a handful of the great characters (fictional and historical) that have appeared in our shows!
Brian Hutchinson as Oedipus in the 1995 production of “Oedipus Rex.”
Reason #9: GREAT ACTING!
The best actors from this area and well beyond have thrilled our audiences with memorable and stunning performances.
Pictured is 2011 Tony Award nominee Forrest McClendon as Edmund in our 2006 production of KING LEAR. Forrest is now performing in the The Scottsboro Boys in London.
Reason # 10. We turn classrooms into stages!
In 1990 we began our signature Shakespeare Face to Face program. Since then we’ve taken it into classrooms throughout the area and far beyond. Thousands of students have discovered how contemporary, relevant and – yes – entertaining Shakespeare is! Our favorite student comment is … “I’d even pay money to see this”. Pictured: Romeo (Tim Riggs) looks on as a student from Downingtown High School dances with Juliet (StephJo Wise)
Reason #11: Teenagers discover the joys of doing Shakespeare!
Since 1997 when it began, hundreds of teenagers have had an opportunity to study and perform in some of Shakespeare’s greatest plays as part of our summer Shakespeare Camp for Teens. Students as well as parents have raved about the value of this program. Pictured: A scene from the 2004 Shakespeare Camp for Teens production of A Midsummer Night’s Dream.
Reason # 12. Sister Arts – Dance
In 1995 we began our Winter Dance Festival. Bringing together multiple choreographers from the region, this popular event became a one of a kind celebration of dance. The Lancaster dance scene has never been the same! Pictured: Mika Cox McDougall performs the hula at the 2010 Winter Dance Festival!
Reason #13: We celebrate the Spoken Word
Our annual Spoken Word Festival (now in its 12th year) has brought together story tellers and poets to share their love of language with grateful audiences. Pictured: Lancaster Poet Laureate, Chris Longenecker, from the 2010 Spoken Word Festival
Reason #14: Pay What You Will!
Theater of the Seventh believes that everyone should be able to afford to go to the theater. To that end we have a long history of Pay What You Will Performances. Our most popular has been Gary Smith’s adaptation of Dickens’ much loved A Christmas Carol. Pictured: Christmas Present (Patrick Mize) and Jon Rider (Scrooge) from 2011 production of A Christmas Carol.
Reason #15: We take a fresh look at the old!
We love the classics! What makes us human hasn’t changed at all over all our civilized time here. Pictured: Universal soldiers march off to war.Julius Caesar, staged in 2003 on the eve of the Iraq War, powerfully combined the contemporary with ancient Rome. When the Roman Soldiers walked on stage wearing combat camouflage and roman capes the audience gasped!
Reason #16: Music!
Music has always been an important part of Seventh Sister; whether its been the small gem of a musical, Lies and Legends – The Musical Stories of Harry Chapin, the musical drama Lady Day at Emerson’s Bar and Grill, or a seldom seen musical like Stephen Sondheim’s Pacific Overtures. Throughout our 25 seasons we’ve provided a performance venue for such diverse music groups as Wood Song, The Reese Project and The NakedEye Ensemble. Pictured: The Creature (Brian McCreary) & Frankenstein (Michael Austin) from our 22nd season’s stunning production of Frankenstein – A New Musical!
Reason #17: Portales: Gateways to Latino Drama
To better serve our Spanish speaking community, in 1996 we added Portales: Gateways to Latino Drama to our Minority Voices of the American Stage Series. Along with presenting original works by Hispanic playwrights, we presented the New York based award winning ensemble, Repertorio Espanolwho performed works in Spanish while providing simultaneous live English translation via headset. Pictured: Sidney Leigh Allen as the title character in the 2010 production of Luis Alfaro’s Chicano take on the Greek tragedy Electra, Electricidad
Reason #18: We Engage Our Audiences!
Beginning with our first production Agnes of God we’ve engaged audiences in talk backs and panel discussions following our productions. Some of our most lively discussions have followed performances of The Cherry Orchard, Antigone, An Enemy of the People and The Grapes of Wrath.
One of the very best discussions followed our production of Our Town with an audience comprised of high school students and senior citizens from retirement homes sitting togehter to watch the show. Pictured: A scene from the 2005 production of Our Town with Jeff Zufelt (Stage Manager), Jill Coste (Emily) and Tim Riggs (George).
Reason # 19: History Comes Alive!
Santayana said “Those who cannot remember the past are condemned to repeat it”. Believing that it’s up to the arts to help remind us, we do plays of social relevance and shows that help us see ourselves in what is past. Pictured: Ron Lee Jones (Father) and Ayoka Dorsey (Sojourner) in Sojourner Truth, part of our African Grove Project from 2000.
Reason #20: Plays that Make You Think!
Exciting, insightful and relevant! Some of our very best work has been thought provoking plays that result in that “Aha moment”!
Pictured: Hamlet has his own “Aha moment” in our 1996 production of Hamlet with Phil Balko (the Ghost of Hamlet’s Father) and Don Mitchell (Hamlet)
Reason #21: We love to make you laugh!
A horrified Olivia (Joanna Underhill) is wooed by the misguided Malvolio (Brian Martin) in our 2003 Free Shakespeare in the Park production of Twelfth Night.
Reason #22: We admit it; we love to make you cry (sometimes)!
We all know how cathartic a good cry can be. There are simply those times when tears are the most authentic response to a powerful moment. We love when that happens! Pictured: One of those moments in 2013’s Eurydice between Father (Brian McCreary) and Eurydice (Victoria Rose Bonito)
Reason #23: Heart!
To have heart can mean a lot of things – from doing your best to making an emotional connection. Whatever it is, you know it when you feel it or when you see it. At Seventh Sister chances are you’ve felt it and seen it a lot! Pictured: Two of the Mundy sisters, Maggie (Cynthia Charles) and Kate (Mary Adams-Smith) share a moment in our 1994 production of Dancing at Lughnasa
Reason #24 Making Magic!
A church auditorium! A converted armory! A park band shell! We’ve made theater magic in some surprising places. Pictured: Shakespeare’s fairies and lovers meet in the forest in A Midsummer Night’s Dream; presented at Trinity Lutheran’s Fondersmith Auditorium in 2002.
Reason #25: We’re named for a star!
You know the one…the Seventh Sister of the Seven Sisters! The one who keeps looking for a better way. Always has! Always will!
A view of the Seven Sisters (Pleiades).
“ … but the Seventh Sister turned
her gaze in another direction
seeking an alternative vision …”
25 Years! 25 Reasons to Love Your Sister!
25 Reasons To Support Your Sister
ONLY AT THEATER OF THE SEVENTH SISTER!
Coming to the Ware Center this Spring.
Seed of a Nation: Lancaster & Penn’s Holy Experiment
Enjoying the Lemonade!
It’s been just a little over a year since we found out we could no longer produce theater in the old Stahr Armory which we had been intending to purchase from the State. As we put all our producing plans on hold and started the massive move, it looked as though we had been handed a whole lot of lemons! However, surprisingly quickly, we began to see the upside; and frankly those lemons have now become lemonade! Since we no longer have to face the challenge of continual production in order to maintain a facility, we have rediscovered the pleasures of taking our time. In fact, after producing “Eurydice” in May (a project we were both passionate about), we’ve really been enjoying the lemonade. There’s been a little R & R, a lot of thinking, reading, and planning. So, having taken time to stop and smell the roses….(Are we getting too many cliché’s in here?)…we are almost ready to “announce” what we will be producing next! So stay tuned and know that it will be something we both really care about and that we will be approaching it revived, restored and refreshed by the magical wonders of the lemonade!
So What’s Up With Seventh Sister?
(originally posted Winter/Spring 2013)
I think the god Janus is prefect for a description of where Seventh Sister has been for the past few months. Janus, for those of you who don’t realize you’ve already made his acquaintance, is that god who looks back at the passing year and simultaneously forward to the future. Yep, you guessed it January is named for him.
Well this past January certainly lived up to it’s two faced namesake. We finally finished our move out of the Stahr the end of the first week of the new year and much of the rest of the month was spent finishing up administrative details, canceling utilities and taking a much needed breath. But at the same time Seventh Sister began to look to her future. In February we started negotiating with the Ware Center for performance dates and began the “gearing up” process that will culminate in a MainStage production of Eurydice and a Sister Arts production of our Annual Spoken Word Festival.
Now here it is May, The 11th Annual Spoken Word Festival was a great success and we’re about to open Eurydice. It’s been a long winter and we’re glad it’s over. So as Spring stirs quietly and almost unseen adn the frozen ground, gives way to lush summer, so too Seventh Sister begins anew the creative process to bring you theater that touches your heart, stimulates your mind and reminds us all what a joy it is to be alive … here … right now.